car led work light 48w 12v 24v 48w 16 led light bar work light dome light off road vehicle tractor marine car driving fog light
4Pcs LED Wheel Lights -Bike Tire Valve Stem Neon Light Bulb for Car Motorcycle Tyre Dust Cap
0 Руб.
2 X 6 48W 16 LED Waterproof Dual Colors Amber & White Work Light Flood Beam Bar Car SUV OffRoad Driving Fog Lamps Flasher
1711.91 Руб.
LED Strobe Light Bar Emergency Hazard Warning Safety Beacon Lights Work Light Bar 30 LED Vehicle Warning Light Waterproof
4017.02 Руб.
Фонарь габаритный Universal; group: W97.2; / LED / single function / front position light; 12V-24V; 23cm LgY-S 0,75mm^2 712 was 1шт
1211 Руб.
Фонарь габаритный Universal; group: W80; / LED / side marker light / optional click-in connector; 12V|24V; 22cm LgY-S 0,75mm^ was 668 1шт
1088 Руб.
Фонарь габаритный Universal; group: W97.2; / LED / single function / front position light; 12V-24V; 23cm LgY-S 0,75mm^2 перед was 713 1шт
1162 Руб.
Factory Car Workshop Honeycomb Light Geometric Design DIY High Lightness Hexagonal Garage Work Light Hexagon Led Light
142120.23 Руб.
2Pcs H3 LED Headlight Car Fog Light Bulbs Auto Driving Running Lamps 12000LM 80W 12V 24V
1609.96 Руб.
2PC 55W LED Headlight Bulbs Kit Fog Driving Light H1 6000K Aluminum Waterproof 1800LM 12V-24V Daytime Running Light For Car Part
2053 Руб.
Описание:
Showcasing over 100 remarkable artworks from the past 200 years, this beautiful book reveals how the intangibility of light continues to fascinate us. Light has been an enduring subject in art. In all mediums, artists have exploited the contrasts between light and dark, opposed cool and warm colours, drawn on science, and attempted to capture the transient effects of light and its emotional associations. This book explores how artists have perceived, illustrated and utilised light since the eighteenth century. Beginning with the British artist J.M.W. Turner, who captured triumphant explosions of light and sought to represent its ephemerality in paint, it reveals how his expressive use of colour and interest in evanescent light influenced the French Impressionists. For them, light became the subject itself, as the likes of Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and others ventured outside to capture the momentary effects of sunlight on canvas. Exploring later innovations in photography, the book also highlights how this became a critical vehicle through which artists began to use light itself as a medium, eschewing subject matter to create photographs that more closely resembled moving abstractions than still images. By the 1960s artists including Dan Flavin, James Turrell and Lis Rhodes had begun to work with artificial light to create new types of sculptures and immersive installations, repositioning the spectator as participant. Many artists like Olafur Eliasson and Tacita Dean continue to work with light, encouraging viewers to question their own positions and perspectives. Kerryn Greenberg is an art historian and curator, and former Head of International Collection Exhibitions at Tate.